The aesthetic image of the building is interpreted as a millefeuille tower composed by a grid of horizontal glass panes, and is protected and characterized by a random sequence of horizontal sun breakers. Consequence and result of the fleetingness of a glance from the dual carriageway, it is intended that the building appears as a sculptural building block without scale which is only defined by the shadows produced by the aluminium sheets and where references to both floorslabs and to structural elements disappear.